An artist, a fame… This is Madalina Sirlincan (mada), during hight school she studies chemistry, a prelude to studies that will make her confident in using a wide variety of colors and materials. She says she “wants to convey energy, color, exuberance, and that she has a preference for RED”. She began painting to discover this joy of living, this ever-positive energy that she reveals throught bright, vibrant colors; she leaves no color out, not even fluorescent ones.

The dripping of colors, the reliefs, the spashes of glitter and steel, aswell as the preparation of the canvases, whether stuccoed or wrapped in gauze or lined with impalpable paper, reveal the artist's artisanal hand.
Madalina evolves in her painting, changes techniques, but remains unmistakable and always herself.
From her early works with abstract figures similar to puzzle pieces, to the moving vortices of Futurism and of a Balla who seems to have come back to life in today's world.

She works with oils, acrylics, stucco, resins, and inserts from advertising materials,
paper napkins, medical gauze, till the extremely fun novelty of using toilet paper, the funniest ones, maybe found in London on fashion trips. This whirlwind of colors and materials
is brought together in abstract canvases of excellent artistic quality. The good taste in the color combinations is remarkable.
The artist's hand that traces the signsand lines, that colors the backgrounds and undertones, is impeccable.

The enchanted spring forest with its thousand little red mouths on her playful London paper, the stylized flower in relief reminiscent of the artist Schifano, and finally the modern steel-effect abstracts, lunar lands from science fiction lived without fecar of the future. And finally, a healthy passion for design, for artistic furnishings, with her paintings becoming tables, screens , and Contemporary accessories. Madalin, who's original even in her whim of wanting to add a naive signature to her works, ignoring every forceful and pointless criticism.